"Discovering Harmony" Panel Discussion - Event Review
Discovering Harmony: Art, Design, and You
Thursday, February 8th, 2024 the Brea Gallery hosted a collaborative event discussing the intersection and synergy between interior design and fine art. Organized by Andrea Freeman, owner and principal designer of Authentik Home, the event aimed to “facilitate an engaging conversation between esteemed artists and experienced interior designers.” Freeman goes on to mention, “By fostering this dialogue, we aim to uncover the numerous ways in which the fields of Interior Design and Original Art can seamlessly intertwine to create exquisite spaces that reflect individuality, aesthetics, and personality.” This free RSVP event filled up after one week of posting.
The night began at the gallery ground level starting at 6pm with light refreshments and wine. Guests were welcomed and checked-in by gallery staff, and invited to walk around and enjoy the current exhibition: Through the Dreamhouse. Lighting solution brand Ketra, a Lutron company, also joined the display by illuminating artwork provided by artist and panelist Melissa Renee of Fiery for Deep Blue. After an hour of small networking and gallery enjoyment, guests were invited to move upstairs to the community rooms for the panel discussion.
The panel discussion, “Bridging the Gap: Fostering Collaboration between Artists and Interior Designers,” was comprised of six panelists and facilitated by Alisa Tate of Luxe Magazine. The panel was divided between three artists, including Made in California alumni artist Liz Iraki, woodworker Joel Elwood of Elwood Design Co., and painting, textile, and wallpaper artist Melissa Renee; As well as three interior designers: event organizer Andrea Freeman, Amy Spiegel, and Jan Turcotte.
Each panelists answered a variety of questions, for example, how designers integrate artists into the overall design timeline for an interior space, or how commissioned artists create work that fit around an overall design scheme. Each panelist offered insights and tips from their professional backgrounds. They also shared personal stories in relation to their questions, like interior designer Jan Turcotte reflecting on a particular chair instance with a client.
When asked how she assesses custom furniture for clients, Turcotte emphasized the importance of collaboration. One client she’s worked with was dead-set on a particular model and fabric for a chair in her office space. Turcotte had predicted there would be some difficulties in the flow and design of the overall space, as well as longevity of the particular piece, but worked with her client to ensure their vision could be achieved. They ultimately decided to change the chair to with advisement of Turcotte, with the main priority landing on the satisfaction of her patron. “It’s about creating joy, and things they enjoy,” Turcotte says. Joel Elwood also shared his perspective being on the other side as a custom furniture maker.
On the topic of aligning his artistic expression while navigating challenges within the requirements for a project, Elwood highlighted that adaptability is necessary in any collaborative endeavor, using the story of a resin and wood coffee table he worked on for a designer. Though any project can come with its’ own set of hurdles, Elwood agreed that the final product must fit the standard and benefit of the patron.
The floor was then given to the audience to ask questions, which ranged from simple, “what exactly is resin?” to how homeowners can utilize this knowledge to curate their own spaces, as well as how artists can build connections with designers. Freeman took the opportunity to address this question with a focus on traditional networking.
“I know I’m a little old-fashioned,” Freeman laughed. “But as an artist, please pick-up a phone. Sending an email is fine, but if you really want to build a connection, you should make an effort to get to know a designer. Come to events, interact, network. It will make a lasting impression.” The forum was shared between panelists and audience members sharing insights and answering questions before the night was capped-off with prizes. Two original artworks by Melissa Renee were raffled off, and the first 50 guests were given complimentary bags filled with goodies from the Brea Gallery and panelists.
Positive feedback radiated from guests as they finished their night back downstairs in the gallery, from the gallery space itself to the thoughtful conversations upstairs. As the Brea Gallery kicks off its’ first exhibition of the year, we’re happy to report we’re off to a good start!
All photography credited and provided by Thomas Pellicer Photography
We are open Wednesday - Sunday
12-5pm
General Admission $3
Plan a visit soon!
Through The Dreamhouse is on display now through March 22nd, 2024.